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For this first, but undoubtedly not last time, we step into the strange, cheaply CGI'ed DTV world of The Asylum.


A low budget ghost story, shot in old fashioned red/green 3D, Haunting of Winchester House (2009) is actually a surprisingly enjoyable little chiller - nothing there is original at all, but the vintage 3D format and surprisingly mild storytelling gives the film a genuinely old fashioned feel. Something completely different is the time travel and dinosaurs thriller 100 Million BC which falters under a terrible script and poor CGI.

Cyborg Cops - 30.1.12

Classic Nu Image straight to video action films, Cyborg Cop and Cyborg Cop 2 are shot on a low budget (in this case in South Africa) with a plentiful supply of explosions and action scenes. The first film is considerably more enjoyable - although part two has some elaborate set pieces, the storyline never rings true.
Flight 747 - 26.1.12

Flight 747 (rather unnecessarily renamed from the American title, Rapid Exchange) is a completely typical thriller robbery storyline that seems to be based entirely around the plane-to-plane transfer sequence from Executive Decision (1996). All pretty much by-the-numbers but yet it has a DTV charm to it that fans of the genre should enjoy.
Learn more about the men and women behind the movies with our exclusive Mondo Guides:


Paul Naschy was born in Madrid in 1934, growing up in the dark years of the Spanish Civil War and the era of Fascist rule of General Franco which followed. From a young age he developed a love for the cinema and the classic serials.

He sought out rare showings of the Universal Horror films which were highly popular at the time and although too young to buy a ticket he was able to sneak in to El Cine Rex in Madrid to watch Frankenstein Meets the Wolf Man (1943), a film that proved highly influencial on his future cinema career.

A career in cinema however was not the first choice of Jacinto's industrialist parents and instead he was encouraged to study agriculture and later architecture in Barcelona where he earned acclaim for his drawing talents which would later secure him a job designing album covers.

Jacinto expanded his continuing love of cinema into writing during the boom of the American Western craze in the 1950s when he wrote a series of Old West novels. He wrote his first film script in the 1960s for a werewolf picture but found little interest among Spanish producers to fund it.

Read on...



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